Choose another writer in this calendar:
by birthday from the calendar.
||Marilyn French (1929-2009)|
American author and feminist scholar, who argued in her study The War Against Women (1992), that women's suppression is an intrinsic part of the male-dominated global culture. Marilyn French first gained fame with her debut novel The Women's Room (1977), which became an international bestseller. When the book appeared she was dubbed "The writer with an AK-47". ('I do still believe that men are to blame ...' by Sharon Krum, The Guardian, 16 Jun 2006) French's readers have said that her works have left them "with things to think about far into the future," and helped them to understand "why the feminist movement came to be" and "refuse to mindlessly accept any long-standing institution for the sake of tradition."
"Today, women are educated in most industrial countries, and can work in a variety (but not all) areas. But male superiors, reluctant to advance them, rarely place them on a track to higher office. In nonindustrial or developing countries, women hold about 6 percent of government posts; in most European nations, they hold 5 to 11 percent.'' (from The War Against Women)
Marilyn French was born in New York into a poor family of
Polish descent. Her father, E. Charles Edwards, was an engineer, and
mother, Isabel Hazz Edwards, a department-store clerk. In the family, she was the dominant parent.
As a child,
French was a voracious reader. She also wrote from a very early age.
Though she was interested in philosophy, she studied literature at
Hofstra College (now University) in Long Island, taking her a B.A.
in 1951. The previous year she had married Robert M. French Jr., a
lawyer, whom she supported through law school by working in a series of
French began to write seriously in 1957, but had only few
stories and articles published in nearly twenty years. In 1960 she
returned to school. French
earned her M.A. in 1964 from Hofstra College, where worked between the
years 1964 and 1968 she was an
instructor. French lived in Rockville Centre.
After raising two children and divorce, she continued her studies at Harvad University, taught English at Hofstra and received her Ph.D. from Harvard in 1976. She was an artist in residence atb the Aspen Institute for Humanistic Study and then taught at the College of the Holy Cross in Worcester, Massachusetts, until 1976.
French's first book was her thesis on James
Joyce (1976), which was well-received by critics at the time. A
year later it was followed by The Women's Room, based
in part on her experiences living and working on Long Island in her
early adult years. Despite negative reviews, French's biting social
commentary became a cultural phenomenon. It remained on bestseller lists for over two years,
was translated into some twenty languages, and was made into a television
movie in 1980. The success of her first novel enabled French to write
and publish without doubt and anxiety about
money. In 1982, the Berkley Publishing Group chose the book as one of its top five paperback bestsellers for all time.
Being virtually unknown in feminist circles, The Women's
Room aroused the suspicion of some feminist activists, who called it a "masochistic fantasy".
Especially reviewers protested the portrayal of men, "a prolonged. . .
yell of fury at the perversity of the male sex," as Libby Purves said
in London Times. (Fictional Feminism:
Bestsellers Affect the Movement for Women’s Equality by Kim A. Loudermilk (2004, p. 41) Sara Sanborn in Ms.
Magazine criticized the novel for its soap-opera style. (Feminism and Its Fictions: The Consciousness-raising Novel and the Women's Liberation Movement by Lisa Maria Hogeland, 1998, p. 91) As a sign of change in the attitude towards French in Ms., she was invited by the magazine in the
mid-90s to a panel discussion on pornography. Always outspoken, French
challenged the panel to stop "tiptoeing around" the issue of feminist censorship. (Performance and Cultural Politics by Elin Diamond, 2015, p. 59)
Mira Ward, the central character of the book, is a housewife, whose trials and tribulations form the core of the story. Mira builds her life after divorce and finds that there is no balance between the sexes. "The school had been planned for men, and there were places, she had been told, where women weree simply not permitted to go. It was odd. Why? she wondered. Women were so unimportant anyway, why would anyone bother to keep them out?" Additional views offer other voices, whom Mira encounters on her voyage of self-discovery.
The battle between sexes was again the main subject in French's second novel, The Bleeding Heart (1980). This time the story focused on a middle-aged woman, who has a love affair with a married American man on her sabbatical leave in England. The relationship of a submissive woman and a dominant man is doomed. In her non-fiction scholarly book Shakespeare's Division of Experience (1981) French examined the polarity between the masculine and feminine principles. This study is one of the first feminist approached to the bard's work. French argued that Shakespeare "never abandoned belief in male legitimacy or horror of female sexuality."
Her Mother's Daughter (1987) was a story about four generations of women, and the bond between mothers and daughters. The narrator, Anastasia, is determined to avoid the oppression of her forbears and the self-denial of her mother, Bella, but she is haunted by that collective past. "I don't know any successful woman with love in her life. Men can manage it, but not women. Disproportion in numbers, and besides, men are too threatened by independent women. They can always find one who will built up their ego. And I, we, independent women, can't find a man who doesn't need continual bolstering." (from Her Mother's Daughter, 1987) The characters of Bella and Frances were based on French's own mother and grandmother. Rhoda Koening said in her review, that "To read her novel, you would think she had never been exposed to anything but the last 50m years of Good Housekeeping and a few copies of Ms. " ('Through the Wringer' by Rhoda Koening, in New York, October 12, 1987, p. 88) Beyond Power: On Women, Men and Morals (1986) was a series of essays on the history of the treatment of women by men in the past 2500 years. The book was criticized for romanticizing matriarchal cultures.
The War Against Women (1992) was a study of oppression and violence of different institutions and individuals in patriarchal world. According to French, the violence has become more threatening as an answer to Feminist movement. "Men's need to dominate women may be based in their own sense of marginality or emptiness; we do not know its root, and men are making no effort to discover it. But men's long-standing war against women is now, in reaction to women's movements across the world, taking on a new ferocity, new urgency, and new veneers.'' French argued that physical, economic, and political attack on women is an intrinsic part of today's male-dominated global society. All men are rapist and that's all they are, was her conclusion. When French promoted the book in Ireland, she met President Mary Robinson. The meeting horrified conservative groups.
In Our Father (1995) the presidential advisor Stephen
Upton has suffered a stroke, and his daughters gather in his mansion to
await his death or recovery. Gradually they learn one another's
secrets; all the four daughters have been raped by their father when
they were girls. My Summer with George (1996) was a story of a
summer love affair. The protagonist is Hermione Beldame, a women's
romance writer who meets George Johnson, a s
outhern newspaper editor, and starts to fantasize about her future with
George. A Season in Hell (1998) was French's personal account
of her journey through cancer treatment -
she had been smoking since she was fifteen.
At the age of 61 she was told she had metastasized esophageal cancer, and she was offered no hope. Determined to "remain a human being, a thinker and a writer who was temporarily ill", French won her battle and a series of other medical crises and negative treatment from doctors. On one level, her illness became part of her struggle against male insensitivity: "One would think that anyone over thirty must know pain, but in fact, men in our society are encouraged to deny pain and suffering, and medical schools tend to encourage such denial. As a result, many doctors, women as well as men, become brittle and closed off. Of course, they suffer - that is inevitable - but they don't let themselves feel their suffering, so derive no knowledge from it and cannot use it. And what we deny ourselves, we deny others."
From Eve to Dawn (2002) was more than 1,700 pages long
global history of women, in which the emphasis was on how men have
oppressed women. Can a species survive, French once asked, when half
its members systematically assault the other? When The New York
Times (September 3, 2006) said on French's sixth novel, In the
Name of Friendship
(2006), that "this book feels like a journey
back in time", the author answered, "it appears that the new
position of the editors of the Book Review is that feminism is an
illegitimate subject for literature." The novel first came out in
Holland, and then in the U.S., published by the Feminist Press. French
died of heart failure in
2009, at the age of 79, in Manhattan. At the time of her death she was
working on a memoir. "I believe feminist art can make us better, just
as I think a feminist world would make us better". ('Afterword: The Writer as Thinker' by Stephanie Genty, in In the Name of Friendship by
Marilyn French, 2006, p. 386)
For further reading: American Literature in Transition, 1970-1980, edited by Kirk Curnutt (2018); 'Marilyn French vägrar använda damrummet,' in Bland hondjävlar & bitterfittor: kvinnokamp i litteraturen by Maria Ehrenberg (2014); 'French, Marilyn (1929- )' by Candis Steenbergen, in Encyclopedia of Women and American Politics, edited by Lynne E. Ford (2010); 'Afterword: The Writer as Thinker' by Stephanie Genty, in In the Name of Friendship by Marilyn French (2006); Fictional Feminism: How American Bestsellers Affect the Movement for Women’s Equality by Kim A. Loudermilk (2004); Persuasive Fictions: Feminist Narrative and Critical Myth by Anna Wilson (2001); Feminism and Its Fictions: The Consciousness-raising Novel and the Women's Liberation Movement by Lisa Maria Hogeland (1998); 'French, Marilyn,' in World Authors 1975-1980, ed. by Vineta Colby (1985) - Central themes in French's books: feminism, the battle of sexes; see also Simone de Beauvoir, Betty Friedman, Germaine Greer, Doris Lessing