In Association with

Choose another writer in this calendar:

by name:

by birthday from the calendar.

Credits and feedback

for Books and Writers
by Bamber Gascoigne

Tove (Irma Margit) Ditlevsen (1917-1976)


Danish author who published some 30 books: poems, novels, memoirs, essays, and short stories. Tove Ditlevsen became one of the most widely read women writers in Denmark. She was known for her direct style and honest accounts of her private life. Ditlevsen enjoyed popularity from the 1940s until her tragic death in 1976. She was married and divorced four times.

"Jag har elsket en mand med et hjerte som dit,
derfor ved jeg lidt mere end du,
og jeg skælver af angst for den kvindes magt,
der ikke er født endnu."

(from Pigesind, 1939)

Tove Ditlevsen was born in Copenhagen. She grew up in a working-class neighborhood of Vesterbro, as the child of constantly arguing and often impoverished parents. Her father, Ditlev N. Ditlevsen, who was 37 when she was born, worked as a fireman. He was class-conscious, voted for the Social Democratic Party, and read Gorky. When he lost his job in 1924 during an economic downturn, the family was forced to turn to the poor relief for a period. The domineering figure of Ditlevsen's childhood was her mother, Alfrida (née Mundus), ten years junior to her husband.

Throughout her career, Ditlevsen viewed herself foremost as a poet. She began writing poems at the age of ten. After finishing school, she worked at an office from 1932. Her first published poem, 'Til mit døde barn,' about a mother speaking to her dead child, appeared in the magazine Vild Hvede. (Wild Wheat), edited by her husband, the writer and journalist Viggo F. Møller. It was included in Ditlevsen's first collection of poems, Pigesind (1939), her actual debut. These formally traditional poems were well received, but Lille Verden (1942) was criticized for its traditionalism. It was not until in 1969, when Ditlevsen published a poetry collection in the style of modernist free verse.

Ditlevsen first attracted attention in 1941 with her book about child molestation, Man  gjorde er barn fortæd (A child was hurt). To avoid waking up her husband in the early morning hours, which she spent all to herself, she wrote the novel by hand on cheap yellow vellum and did not use his old typewriter. Møller kept his much younger wife under his thumb and Ditlevsen first submitted to his authority. "I do whatever I can to please him, because I'm so thankful he married me," Ditlevsen said in her autobiographical book Gift (1971, Dependency). Except that he did not have many wrinkles on his face, Møller looked just like any other middle-aged man. Ditlevsen's  husbands number two and three in the 1940s were about her own age.

The central character of Man gjorde et barn fortræd is a young woman, who suffers from a sexual neurosis. To be able  reveal the identity of the culprit, she  forces  herself to unearth her buried, traumatic memories.  Noteworthy, Ditlevsen had not read Freud, but basically the story portrays the mechanism underlying psychoanalytic healing. The director Benjamin Christensen wanted to film the novel, but lost backing for the project. In Astrid Henning-Jensen's film Early Spring (1986), based on the novel Barndommens gade (1943), Sofie Gråbøl was cast as the young Ester, Ditlevsen's alter ego. The screenplay followed the novel fairly closely. 

"Girls can't be poets," Ditlevsen's father had once said. Family  relationships and her own experiences were the focal point of  her work. The autobiographical trilogy Barndom (Childhood), Ungdom (Youth), and Gift (Dependency) (1967-71) was an account of her life and a long struggle with drugs. Ditlevsen wrote the work after recovering from depression. The first volume opens with the words: "In the morning there was hope." Other autobiographical books include Vilhelms værelse (1975) and Tove Ditlevsen Om mig selv (1975), completed before her death on March 7, 1976. At the age of 58, Ditlivsen committed  suicide by taking an overdose of sleeping pills. It did not come as a surprise to many: a few months earlier she had made a failed suicide attempt.

In her books, Ditlevsen dealt with sexual matters, joy of love, marriage, and motherhood. From 1956 until her death she contributed to the Familie Journal's mailbox 'Små Hverdagsproblemer' (Small everyday problems). By focusing on issues that bother others,  Ditlevsen found an escape from her own problems. 

A central theme in her work is the effects of childhood experiences on adulthood; in her youth, her friends at that time were mostly interested in sex and stealing. In the poem 'Rain' she wrote: "Drunk men / are not dangerous / said my / girlfriend / child molesters / are always sober." (transl. by Cynthia Norris Graae, Canadian Woman Studies, Vol 8, No 2, 1987) Ditlevsen's background reflected in her verse, where the major theme was loneliness in the big city. Some of the poems in Den hemmelige rude (1961) interpreted the Grimms' Brothers Fairy Tales from a new an very personal perspective.  Ditleven had owned a copy of the Brothers Grimm in her childhood. 

Ditlevsen's first three marriages (with Viggo Frederik Møller, Ebbe Munck, and Carl Theodor Ryberg) did not bring her the happiness she expected. Emotionally exhausted, she was hospitalized after the divorces. When she married Møller, Ditlevsen was twenty-two; he was thirty years her senior. Ditlevsen, who felt that her husband did not pay enough attention to her, had an affair with the poet Piet Hein, whom she had met at the Young Artists Club. With Victor Andreasen, a businessman and chief editor, whom she married in 1951, Ditlevsen had her most enduring relationship although they separated in 1973.

All of Ditlevsen's novels drew material from her difficult childhood, failed marriages, and her experiences as a female writer and a drug addict. From her third husband, who was a doctor, Ditlevsen received Pethidine (a synthetic opioid) injections. She used this addictive, narcotic drug, for years.

Ansigterne (1968, The Faces) was a psychological masterpiece, exploring the psychosis of a woman, Lise Mundus, who is torn between her roles as mother, wife, and a writer of children's books. "We’ve found out what kind of person you are. When you’re going to write a book, you go around looking at all kinds of other books written by people who know their stuff. You steal a sentence from every book and put them together like a puzzle, and then you make people think that you’ve written every sentence yourself." (from The Faces, transl. by Tiina Nunnally) Lise believes that her husband is having an affair with their housekeeper. After a suicide attempt she is taken to a mental hospital, another reality. "Despite the horror it depicts, Ditlevsen’s writing is deeply humane and understanding." ('The Faces by Tove Ditlevsen review – a tortured life turned into art' by John Self, The Guardian, 26 January, 2021)  

The partly  autobiographical Vilhelms værelse was about a destructive marriage. Blurring the line between fiction and fact, the narrator and the protagonist, the work  tells of events leading to the suiduce of Lise Mundus. Kære Victor, Victor Andreasen's correspondence with Ditlevsen, which was a kind of commentary on the book, came out in 1993.  

Ditlevsen's ruthlessly honest memoirs, Det tidlige forår (1969, Early Spring), depicted her first eight years in a harsh working-class neighborhood in Copenhagen during the depression. The narrator, who is more innocent than other girls of her age, learns about politics and unemployment, drunkenness and prostitution of the adult world around her. "When we reach Gasværksvej, where we usually turn around, Ruth says, 'Let's go down and look at the whores. There are probably some who have started.' A whore is a woman who does it for money, which seems to me much more understandable than to do it for free. Ruth told me about it, and since I think the word is ugly, I've found another in a book: 'Lady-of-the-evening'." (from Early Spring) The work starts with the words "in the morning there was hope" and culminates in the publication of her first book – but at the background of this opening was a writer's block, which shadowed Ditlevsen's last creative years. In a late poem, published in Det runde værelse (1973), Ditlevsen compared herself with her cat, who was too old to catch birds: "Ikke flere fugle at jage / ingen mus at skræmme. / Ingen utvej af erindringens / labyrint. / Sagte rinder livet ud / som dråber langs et nedløbsrør."

For further reading: Om Tove Ditlevsen, ed. by Harald Mogensen (1976); Husmor og skribøse, en brevveksling med Tove Ditlevsen by Ester Nagel and Tove Ditlevsen (1986); A History of Danish Literature, ed. by Sven H. Rossel (1992); 'Tove Ditlevsen and the Aesthetics of Madness' by Anthe C. Petersen, in Scandinavian Studies, Vol. 64, No. 2 (Spring 1992);  'Minnets labyrint,' in Nordisk kvinnoliteraturhistoria 3: Vida Världen 1900-1960, ed. Elisabeth Møller-Jensen (1996); Tove Ditlevsen: myte og liv by Karen Syberg (1997); Til døden os skiller. Et portræt af Tove Ditlevsen by Jens Andersen (1997); Af Morsingbo slægt: Aksel Sandemose og Tove Ditlevsen by Svend Borg (1999); Tove Ditlevsen som ung by Frank Egholm Andersen (2004); 'Ditlevsen, Tove (1917-1976)' in Historical Dictionary of Scandinavian Literature and Theater by Jan Sjåvik (2006); Stil og tema i Tove Ditlevsens forfatterskab by Niels Kofoed (2013); Et lyst værelse: empati, rumopfattelse, kunstnerisk selvspejling og æstetik i kvindelige danske forfatteres og billedkunstneres værker i perioden 1930-90 by Eva Pohl (2015); Tove Ditlevsen: et portræt by Anne-Sofie Storm Wesch (2018)

Selected works:

  • Pigesind, 1939 [A girl's mind]
  • Slangen i Paradiset, 1939
  • Man gjorde et barn fortræd, 1941 [A child was hurt]
    - Lapselle on tehty pahaa (suom. Yrjö Korhonen, 1950)
  • De evige tre, 1942
  • Lille Verden. Digte, 1942 [Little world: poems]
  • Barndommens gade, 1943 [The street of childhood]
    - film: Barndommens gade / Early Spring, 1986, dir. by Astrid Henning-Jensen, screenplay Erik Thygesen, starring Carl Quist Møller, Torben Jensen, Vigga Bro, Kirsten Lehfeldt. Else Petersen
  • Digte til mor of barn, 1943
  • Den fulde Frihed: noveller, 1944
    - Complete Freedom, and Other Stories (translated from Danish by Jack Brondum, 1982)
  • København, 1945 (privately printed 200 copies)
  • For Barnets Skyld, 1946 [For the sake of the child]
  • Blinkende Lygter. Digte, 1947 [Flickering lanterns]
  • Dommeren: noveller, 1948 [The judge]
  • Kærlighedsdigte, 1949
  • Paraplyen, 1952 [The umbrella]
  • En flink dreng, 1952
  • Nattens dronning, 1952
  • Vi har kun hinanden, 1954 [We only have one another]
  • Utvalgde digte, 1954
  • Klaveret. Novelle, 1954 (privately printed)
  • Kvindesind, 1955
  • Jalousi, 1955
  • Der bor en pige, 1955
  • Foraar. Noveller, 1956
  • Annelise - 13 år, 1959
  • Flugten fra opvasken, 1959 [Escape from the dishes]
  • Hvad nu Annelise?, 1960
  • To som elsker hinanden, 1960 [Two who love each other]
  • Den hemmelige rude, 1961 [The secret window]
  • Den onde lykke, 1963 [Evil joy]
  • Dolken, 1963
  • Der var engang en lille hest, 1963
  • Digte i udvalg, 1964 [Selected poems]
  • Min yhdlingslæsning, 1964  
  • Barnets træ, 1966-67 (illustrated by Kate Warming)
  • Erindringer: Barndom, 1967 (first part of trilogi)
    - Early Spring (translated by Tiina Nunnally, 1986) / Childhood: The Copenhagen Trilogy 1 (translated by Tiina Nunnally, 2019)
    - Lapsuus (suom. Katriina Huttunen, 2021)
  • Erindringer: Ungdom, 1967 (second part of trilogy)
    - Early Spring (translated by Tiina Nunnally, 1986) / Youth: The Copenhagen Trilogy 2 (translated by Tiina Nunnally & Miclael Favela Goldman, 2019)
    - Nuoruus (suom. Katriina Huttunen, 2022)
  • 100 Kærlighedsdigte fra hele verden, 1967 (ed.)
  • Fryght: noveller i udvalg, 1968 
  • Ansigterne, 1968
    - The Faces (transl. by Tiina Nunnally, 1991)
    - TV film 1987, dir. by Carsten Brandt, starring Susse Wold, Waage Sandø, John Wittig
  • Det tidlige forår, 1969
    - Early Spring (transl. by Tiina Nunnally, 1976)
    - film: Barndommens gade, 1986, prod. Danmarks Radio (DR), dir. by Astrid Henning-Jensen, starring Sofie Gråbøl, Carl Quist Møller, Vigga Bro, Torben Jensen, Louise Fribo
  • De voksne: digte, 1969 [The adults]
  • Gift: erindringer, 1971 (third part of trilogi)
    - Depencency: The Copenhagen Trilogy 3 (translated by Miclael Favela Goldman, 2019)
  • Parenteser, 1973
  • Min første kærlighed, 1973
  • Min nekrolog og andre skumle tanker, 1973 [My obituary and other sinister thoughs]
  • Det runde værelse, 1973 [The round room]
  • Vilhelms værelse, 1975 [Vilhelm's Room]
  • Tove Ditlevsen om sig selv, 1975 [Tove Ditlevsen about herself]
  • En sibylles bekendelser, 1976
  • Bitre hvedebrødsdage og andre kærlighedshistorier fra hele verden, 1976 (ed.)
  • Til en lille pige: efterladte digte, 1978 
  • Digte, 1979 (ed. Knud Mogensen)
  • Noveller, 1979 (ed. Inger Christensen)
  • Kære Victor: breve fra Tove Ditlevsen til Victor Andreasen 1972-76, 1993
  • Samlede digte, 1996 
  • Al min lykke: seksten udvalgte digte af Tove Ditlevsen, 2004 (ed. Jørgen Jensen)
  • Jeg ville være enke, og jeg ville være digter: glemte tekster, 2015 (edited by Olga Ravn)
  • Der bor en ung pige i mig, som ikke vil dø: digte i udvalg ved Olga Ravn, 2017
  • Små hverdagsproblemer: Tove Ditlevsens brevkasse i Familie Journal 1956-1976, 2018
  • Kærlig hilsen, Tove: breve til en forlægger, 2019 (redigeret af Johannes Riis  forord af Pernille Stensgaard)
  • The Copenhagen Trilogy: Childhood; Youth; Dependency, 2021 (translated from the Danish by Tiina Nunnally and Michael Favala Goldman)

In Association with

Some rights reserved Petri Liukkonen (author) & Ari Pesonen. 2008-2019.

Creative Commons License
Authors' Calendar jonka tekijä on Petri Liukkonen on lisensoitu Creative Commons Nimeä-Epäkaupallinen-Ei muutettuja teoksia 1.0 Suomi (Finland) lisenssillä.
May be used for non-commercial purposes. The author must be mentioned. The text may not be altered in any way (e.g. by translation). Click on the logo above for information.